Saturday, February 29, 2020

Blurryface by Twenty One Pilots

Imagine all of your insecurities and fears manifested into an entity, one that will remain with you your entire life. You have no way to get rid of it or hide. This character is called Blurryface. Released in 2015, twenty one pilots’ album, Blurryface, opened up a new form of music. A mix of pop, rock, and rap, the lead singer, Tyler Joseph, does it all to portray Blurryface within him. Through his lyrics, you’ll also realize how relatable the situations are to your own personal life or even the life of someone you may know, separating it from the usual songs about teenage angst. Twenty one pilots is a two man band formed by Tyler Joseph in Ohio. He is the lead vocalist and the only singer of the group. The other member is drummer, Josh Dun. Everything began in 2009 within a little town and since then, things have been getting better for the duo. They went from selling tickets in front of a Chick-fil-A at the mall, to having two nearly sold out shows at Madison Square Garden. Twenty one pilots even have two songs, â€Å"Ride† and â€Å"Stressed Out,† that made it to the Billboard. Blurryface also earned multiple awards such as the Billboard Music Award for Top Rock Album and the iHeartRadio Music Award for Alternative Rock, making it quite the accomplishment for Josh and Tyler. This album is different from the previous one, Vessel, which had a cheerful tune. The constant use of piano chords swapped with ukulele strumming, and the soft, muffled synths are now replaced with a sharp, cold tone. Both changes can be heard through the songs â€Å"The Judge† and â€Å"Fairly Local† from Blurryface. â€Å"The Judge,† opens with a ukulele which plays through the rest of the song and â€Å"Fairly Local† starts with a beat that sounds like the buzzing within a light bulb and even includes a short section of low, grumbly vocals that belong to none other than Blurryface itself. Although the differences found in Blurryface are a huge comparison to Vessel, it is what makes Blurryface so unique in its musical style. The significance of the lyrics found in Tyler’s songs also plays a role. If you pay close attention to the song â€Å"Goner,† you’ll realize that Tyler Joseph is referencing the feeling of being trapped between his two identities, Blurryface and himself. This relationship can also be compared with a teen’s fight for identity when deciding who they are in public or in private. â€Å"I’ve got two faces,† Tyler sings in defeat,† Blurry’s the one I’m not.† This tone really allows the listener to understand what he is going through in the song. Blurryface spreads a powerful message through its heartfelt lyrics and, at the same time, has you jamming out to the music playing in the background. But in the end, the two sounds blended together will definitely have you feeling less â€Å"stressed out† than before.

Thursday, February 13, 2020

Strengths, Weaknesses and Strategies for Sugar Bowl Essay

Strengths, Weaknesses and Strategies for Sugar Bowl - Essay Example Sugar Bowl can effectively take maximum advantage of this student presence in order to increase their visitation to the business especially on some of the slow nights (Hamermesh and Zalosh, 9). Additionally, it is important to realize that since its opening, Sugar Bowl has been experiencing slow growth, having been in the industry for only one year; generally, restaurants and bars often take close to five years in experiencing solvency. Sugar Bowl boasts of a good target market that comprises of many graduate students and young professionals who will enhance its growth and success. Some of the goals regarding the operations of Sugar Bowl include an inability to retain some of its competent sales staff. This means that the company is often left with the option of having its unused capacity being supplemented by other outside workers. Additionally, the company has a problem with compensating its staff in order to elicit maximum support from them. In improving the compensation criteria, the company can be in a better position to enhance their staff morale while reducing the high turnover that it faces. Additionally, the company has high training costs and theft cases, which are said to be emerging from within. Through such activities as effective staff training and motivation, the company will enhance its success and performance, something that will aid in its achievement of goals and objectives. Through effective staff empowerment initiatives, Sugar Bowl will experience reduced daily operations for its management teams (Hamermesh and Zalosh, 10). The company’s inability to predict its sales revenue in the most effective way has also been a major weakness in its growth prospects. Some of the opportunities that Sugar Bowl is facing in its growth and success are largely depended on the need to capture new markets presented by the target marketing, who are students and other young people generated by the universities available in this area.

Saturday, February 1, 2020

Dimensions in Art Essay Example | Topics and Well Written Essays - 1750 words

Dimensions in Art - Essay Example Initially, this was considered inelegant and greatly criticized. However, by the time he painted The Stonebreakers, opinions on the realist style were changing. In painting The Stonebreakers, Courbet sought to depict the harsh lives that peasants went through as evidenced by the painting’s revealing illustration of trying conditions faced by the miners (Riat 101). The painting includes a peasant man and a peasant boy using mallets to break up boulders, while dressed in torn clothes. One is immediately drawn to the sharpness and depth of the canvas and the rigid details of the painting, which has no drama or romanticism. This trait is uniquely realist. One also notices the monotony of color used, reflecting the painting’s languid tone as the man and boy break up the boulders. This is especially important for Courbet as it allows him to draw attention to the peasants’ efforts. In addition, Courbet also seems to be drawing attention to the ages of the boy and man si nce the man seems to old and the boy too young to be breaking boulders (Riat 101). The painting also reveals the industrial era and the poverty that existed alongside it. Unfortunately, peasants were the most disadvantaged people during the industrial revolutions, especially in the mines and factories (Riat 102). Most of the peasants, with increased mechanization of farm work, were forced into the mines, while young boys were exploited for their labor as they could be underpaid. The Stonebreakers is reflective of the unease that Courbet felt for the abuse of the vulnerable by an increasingly capitalist society, as well as the agony and anguish they suffered in the mines with the hard work. This was a main theme in the realist era and Courbet uses mellow colors and unexaggerated style to draw attention towards the peasants’ plight (Riat 102). This work, alongside other works by Courbet, was an inspiration for future modernists and impressionists with its focus on contemporary society and events. This was suggestive of the improved innovation in art that finally led to the surrealist era. The Bullfight’s artist Joan Miro was born in Barcelona in 1893 and was a ceramist, a sculptor, and painter. As a painter, he evolved greatly throughout the early to mid-20th century with his work earning wide international acclaim throughout the same period (Brodskaia 56). While The Bullfight can be interpreted as surrealist art, Miro himself refused to ascribe his work to this art style and simply referred to his paintings during this era as semi-abstract. While surrealism stood out during this period, The Bullfight was more had a greater degree of abstraction as compared to other major surrealist artists at the time like Pablo Picasso. In The Bullfight, Miro seeks to represent his Catalan heritage of bull fighting in an abstract way, most likely due to the persecution he suffered under Dictator and anti-Catalan leader General Franco (Brodskaia 56). Miro had alwa ys been critical of contemporary painting styles, claiming that it was in support of the bourgeois, and The Bullfight was one of his ways to â€Å"assassinate painting† through an upset of established elements of painting (Brodskaia 150). The painting shows a raging bull being outmaneuvered by a skillful el-matador, although one has to look closely to actually make out the el-matador’s figure. Miro also exaggerates some of the bull’